The last few months, since October, have been intense. I’ve taken very few photos outside my work at Masterclass Narrativa⁠, as most of my energy went there, leaving little for anything else.

It started with outlining and shaping the key ideas of the project; then came the weeks in the field—trying, failing, and trying again. After that, the final edit gave it its form. And finally, the pleasure of sharing it.

Now that chapter is behind me: the exhibition has ended, the photos are packed away, and this iteration of the project is closed. That doesn’t mean it’s over—quite the opposite. It’s meant to continue, and there’s still more I want to show.

But there is a sense of closure. A moment to look back on the path, what I’ve learned, and the people I’ve met along the way.

It really was a great trip.

White tape pieces arranged in an abstract geometric shape with the name João Pedro Almeida below.A minimalist, empty room with wooden flooring and a ceiling featuring linear recessed lighting.Several blank and wrapped canvases are stacked against a white wall on a tiled floor.